Workshops and Events
We host an assortment of seminars, workshops, and talks. Recurring offerings include:
THE BLACK PILL is a writing workshop that asks its artist-participants to take a daring look in the mirror and honestly answer why and for whom they make their work.
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THE FIRST $5,000 is a seminar that compares the process of applying for entry-level grants with fundrasing the same amount through earned income.
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HOW TO COMMUNICATE IN WHITE PEOPLE is a workshop that examines grantwriting as an activity charged by race, class, sex, and gender.
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Sessions and Tickets
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IS MY BODY MEANT TO BE READ? is two-week intensive where participants analyze and update their online portfolios.
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MONEY WOES is an intermittent seminar that demystifies the basic business concepts artists and creatives must know to grow and sustain their creative practices.
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Sessions and Tickets
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WE BELIEVE IN WITCHCRAFT is a workshop for artists aiming to strengthen written materials about their work.
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Sessions and Tickets
We host an assortment of seminars, workshops, and talks. Recurring offerings include:
THE BLACK PILL is a writing workshop that asks its artist-participants to take a daring look in the mirror and honestly answer why and for whom they make their work.
More information
+
THE FIRST $5,000 is a seminar that compares the process of applying for entry-level grants with fundrasing the same amount through earned income.
More information
+
HOW TO COMMUNICATE IN WHITE PEOPLE is a workshop that examines grantwriting as an activity charged by race, class, sex, and gender.
More Information
Sessions and Tickets
+
IS MY BODY MEANT TO BE READ? is two-week intensive where participants analyze and update their online portfolios.
More Information
+
MONEY WOES is an intermittent seminar that demystifies the basic business concepts artists and creatives must know to grow and sustain their creative practices.
More Information
Sessions and Tickets
+
WE BELIEVE IN WITCHCRAFT is a workshop for artists aiming to strengthen written materials about their work.
More Information
Sessions and Tickets
NOR RESEARCH STUDIO. PAPERWORK FEATURING A FELIX GONZALEZ-TORRES’ UNTITLED PRINT; PENCIL DRAWINGS AND XEROX STUDIES DERIVED FROM ABBAS KIAROSTAMI’S CLOSE-UP; A LIMITED EDITION R.H. QUAYTMAN INSERT FROM OCTOBER #168; AND NOTES IN RESPONSE TO QUAYTMAN’S 2016 EXHIBITION CHAPTER 30: MORNING AT THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES, 2019. DIGITAL PHOTOGRAPH.